Stephen King does it, he writes organically, and another writer a little lower on the popularity scale, myself, and of course many others.
The First Writer and Editor: ‘Take out that part?! Are you nuts? How is the stampede scene at the end of the cave going to make sense without it?!’
A recent conversation with my sister revealed that people don’t know what the heck you’re talking about when you say you write organically. I told my sister that “nothing much was happening in my story,” and she delivered a long silence followed by “well?”
The most common reaction to my stories, although I’ve addressed organized crime and human trafficking, is that they are a “fun read.” That was kind of mysterious to me given the heavy subject matter. Then I realized that my books are like many others, they are adventures.
That’s always what I wanted them to be.
Of course, I place myself in my characters’ emotional lives and the physical movements and thought process begins and that’s what keeps the plot moving along. My research on the subject matter usually provides information for the reactions of my characters in a given situation.
If the plot gets stuck, for some reason or another, I just keep plowing along meaning my protagonist continues to do what she’s doing until another element pops up, or some event occurs to change the course of her actions. Which means I focus on another character and that character makes a surprising move and my protagonist reacts.
I also begin with a vision or two. Then I write to the vision, they usually reveal themselves in the course of the research on the chosen subject. I write to make the visions believable when the reader finally reaches them. But, I have no idea how the heck I’m going to get there, that depends on the research, the motives and the personalities of the characters.
Many wonderful writers, other than Stephen KIng, do a complete and detailed outline before they start. One new writer asked me how I began if I had no outline. I usually pick a subject I’m interested in, and what I think is a good move for my protagonist that has to do with research into the publishing business as well. Then my protagonist is fashioned by my own experience, sticking to that principle that you write about what you know. Endless details are the blood of your story, generally you don’t know them if you write about a subject you know little about even given the research.
I was an investigative reporter and so is Carol Rossi, my protagonist. A character, a subject and we’re off to the races.
I can see trying, however, to branch into subjects you know little about.
Do you do outlines?
Do you stick to what you know?