
David Cranmer's free weekly e-zine BEAT to a PULP might only be the age of an up-and-comer, but the quality of the award-winning writing and writers guarantees it won't be a flash-in-the-pan.
Recently, David and BTAP editor-at-large Elaine Ash collected some of their finest, most twisted stories of pulpy goodness, combined them with new and never-seen works under the splendid cover art of James O'Barr, and created a new, old-fashioned way to enjoy stories by David Cranmer, Elaine Ash, Jake Hinkson, Charles Ardai, Sophie Littlefield, Scott D. Parker, Hilary Davidson, Matthew Quinn Martin, Garnett Elliott, Ed Gorman, Evan Lewis, Paul S. Powers, James Reasoner, Edward A. Grainger, Anonymous-9, Robert J. Randisi, Mike Sheeter, Stephen D. Rogers, Patricia Abbott, Kieran Shea, Nolan Knight, Chris F. Holm, Nik Morton, I.J. Parnham, Jedidiah Ayres, Andy Henion, Glenn Gray, Chap O'Keefe, Frank Bill, and an essay by Cullen Gallagher.
If that list already has you slavering, just scroll to the bottom of the post and see how to enter.*** I have seen many, many self and micro-published titles, and this one is a particularly wonderful-looking and feeling object that's exciting to wrap one's mitts around. As Bill Crider identifies in the foreword, the heart of pulp is "storytelling" with "strong narrative and colorful prose." This title cuts a wide swath through genre ranks to include "Action-adventure yarns, westerns, crime stories, horror tales, science-fiction stories, and more, a few of which are unclassifiable." Since David's been globe-trotting for most of his webzine's existence, I interviewed our virtual blogpal by e-mail about this terrific project.
How did you begin the 21st-century process of being an entirely remote editor of work that so proudly recalls juicy and visceral, pre-digital origins?
- In 2008, I was frustrated that I had three stories out for submission at three different e-zines when all these sites closed without explanation. I knew I wasn’t the only one with tales hanging in the great electronic abyss. I also knew I had the stamina to keep a website up and running. It seems most writers are looking for as many avenues as possible to get their work noticed and BTAP is one outlet providing that. At this stage, now that we’ve been around a bit, who wouldn’t want their work represented alongside writers such as Dave Zeltserman, Robert J. Randisi, and James Reasoner? People like these, who have sent me stories for the webzine, well, they’ve been damn kind and there’s no way I can ever repay them. They’re good people. Plain and simple.
The electronic pulp's great and only getting better. What prompted the expansion into print?
- Honestly, I just wanted to publish a book before the door closes forever on the printed page. Elaine, my partner on Round One, reminded me that the majority of anthologies don’t make a dime… or, that’s exactly how much they make. But that was fine with me. I wanted a quality book I could set on my shelf and say, I did that. Elaine has been a stalwart force in the first year and a half of BTAP’s webzine existence. She painstakingly edited every story I sent her, and quite often, at her own expense, conducted phone calls with the writers to whip the stories into mini-masterpieces. Plus, her editing skills and familiarity with the publishing realm made Round One go more smoothly. My wife, Denise, took the formatting reins, and put all the pieces together with the printer. The combined effort turned out the superb product (using CreateSpace) that we are now talking about.
Round One's final entry is an in-depth article by Cullan Gallagher about the long history and wide scope of pulp. Why?
- I’ve had a number of well-read people ask me, after I tell them a bit about my publishing gig and my own writing, what is pulp? It’s true that most of BTAP’s audience knows the meaning, but I’m counting on that moment when we hit The New York Times bestseller list, and then we’ll reach all those folks out there who aren’t in-the-know. Cullen’s piece is for them. I’m just happy when a copy is sold and we’re reaching another reader. I’ve also had some crime fiction writers ask me what westerns would I recommend and vice versa. Broadening one’s genre horizons couldn’t be more satisfying.
How many of your contributors have you met in person, or even by phone?- I’ve only met Maine author Mathew P. Mayo in person (where we talked about our fond memories of The Six Million Dollar Man and Sasquatch!), but I frequently have contact with a few dozen writers who have been associated with BTAP. The internet is such a wonderful, yet odd, experience. I count these folks among my very good friends and yet have never met them.
What else is notable about being a distant, digital writing-wrangler?
- The greatest advantage is it puts my name out there, and as a result, I have been able to network with a wonderful group of established and emerging writers. When I read stories like Charles Ardai’s “A Free Man” or Ed Gorman’s “Killing Kate” (both in Round One), it raises the bar for me personally. I look at the current rough draft I’m working on and say, I can do better. The most difficult aspect is the time-consuming process as an editor to read dozens of submissions a month, and then edit, and finally proof each selected story prior to its debut, which, of course, takes time away from my own writing. The most head-shaking surprise (in a good way) has been publishing Paul S. Powers. Mr. Powers was a golden-era pulp writer from the 1930s to the early 1960s, who died in 1971, leaving behind several unpublished works. Thanks to his granddaughter, Laurie, I was able to publish one online and another in Round One. Good lord, that was an honor.
If people aren't lucky enough to win their copies here, where should they go?
-Amazon is probably the most familiar venue for most folks, though Round One is now available at other online retailers like Barnes & Noble. I had planned on releasing an eBook in early January, but I’ve put that idea on the back burner for the time being to focus on my own writing and to think about Round Two. We’re currently looking into making Round One available on Kindle. I’m always open to other formats, it’s just a matter of finding the right project and the time.
***To enter WoM's giveaway, just leave a comment, but make sure to include your e-mail (or make sure your profile links to one). If we can't contact you, you WON'T be entered. We'll confirm all entries within the thread itself. We close the contest at midnight, Saturday, December 18th, announce the winners on Sunday, and can get the goods shipped early Monday am, gift-wrapped with a note from you, and in time for Christmas should you need! (Okay, well we can beat the fat man and his livestock if you're in the U.S. or Canada. Otherwise, it's a slow boat!)
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