Wednesday, March 31, 2010

Advice Buffet Meets Alfred Hitchcock


About a month ago, here at WoM, we posted on comprehensive lists of writerly advice compiled in the Guardian online.

Yesterday, on The Mystery Place forum, Linda Landrigan, editor of the wonderful Alfred Hitchcock Mystery Magazine, used that piece as a springboard for her own set of tips to avoid rejection.

AHMM is one of the pre-eminent markets for short crime-suspense fiction. Chris Holm, most-recent Cranmer interviewee, has a story in May's (dark) humor issue, on newsstands now! And unreformed thief and Criminal Briefer Rob Lopresti has a story upcoming in June's. This is good company, and I'd pluck my eyelashes to join it. Unfortunately, I think the key is writing well. Too bad, really, that's far more painful.

Over a Century of Flash, Kate

Image courtesy of Newberry Library, Chicago.


I was speaking with someone today about the power of short fiction. Not necessarily micro-mini-fic, but purposefully pointed fiction of a thousand words or so. Then, on quite another errand, I found this thousand-word story by Kate Chopin, printed in Vogue Magazine in 1894, illustrating precisely what I meant. Note that this was even before Twitter introduced the virtue of brevity. Chopin was a young widow, mother of 6, and a novelist, who wrote a third novel about another freethinking woman (The Awakening) that was controversial enough in Victorian society to kill her writing career dead in 1899.

Apparently, the story below is quite well-known and often taught, but I learn new things daily, and hadn't read The Story of an Hour. If you haven't either, I think you'll find this hour with a grieving new widow poetic, complicated, and unexpected:

Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband's death.

It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband's friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard's name leading the list of "killed." He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.

She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister's arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.

There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.

She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.

There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.

She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams.

She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those patches of blue sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.

There was something coming to her and she was waiting for it, fearfully. What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air.

Now her bosom rose and fell tumultuously. She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: "free, free, free!" The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.

She did not stop to ask if it were or were not a monstrous joy that held her. A clear and exalted perception enabled her to dismiss the suggestion as trivial. She knew that she would weep again when she saw the kind, tender hands folded in death; the face that had never looked save with love upon her, fixed and gray and dead. But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely. And she opened and spread her arms out to them in welcome.

There would be no one to live for during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature. A kind intention or a cruel intention made the act seem no less a crime as she looked upon it in that brief moment of illumination.

And yet she had loved him--sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being!

"Free! Body and soul free!" she kept whispering.

Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission. "Louise, open the door! I beg; open the door--you will make yourself ill. What are you doing, Louise? For heaven's sake open the door."

"Go away. I am not making myself ill." No; she was drinking in a very elixir of life through that open window.

Her fancy was running riot along those days ahead of her. Spring days, and summer days, and all sorts of days that would be her own. She breathed a quick prayer that life might be long. It was only yesterday she had thought with a shudder that life might be long.

She arose at length and opened the door to her sister's importunities. There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. She clasped her sister's waist, and together they descended the stairs. Richards stood waiting for them at the bottom.

Some one was opening the front door with a latchkey. It was Brently Mallard who entered, a little travel-stained, composedly carrying his grip-sack and umbrella. He had been far from the scene of the accident, and did not even know there had been one. He stood amazed at Josephine's piercing cry; at Richards' quick motion to screen him from the view of his wife.

When the doctors came they said she had died of heart disease--of the joy that kills.

Tuesday, March 30, 2010

Two Sentence Tuesday - Spinetingling Edition

The fabulous Clare read my WIP and gave me some much needed advice. Everyone should have such a persnickety first reader! Last week I spent editing said WIP to make the recommended changes, and over the weekend it went off to my agent. So if you care to send a helpful thought or two to the deity or demon of your choice, I'd appreciate it!

A bit from the chunk I put in:

"He--Tim--he did great, even without the reassurance."
“Of course he did. You raised him.” Ethan winked at her. "A kick-ass sister like you wouldn’t put up with anything less. He did great on his interview, too. Stayed really cool. Of course, that could have been the morphine."

This week, I read Hilary Davidson's short story, Cheap Bastard, in Spinetingler Magazine. You should, too! Here are two sentences to tease you:

A word of advice, kid, he wanted to say, even though the train was moving again and there was no point worrying about a kid. Get out before you get in.

And you? What have you read this week? What have you written? Let us know where to find out and we'll update this post with links to your work, or just leave your 2s in the comments!

Monday, March 29, 2010

MTM/Review: Invisible Boy by Cornelia Read


This review is also a My Town Monday post because the geography and the times are very much my own.

The back jacket copy of Invisible Boy by Cornelia Read, starts with this sentence: “The smart-mouthed but sensitive runaway socialite Madeline Dare is shocked when she discovers the skeleton of a brutalized three-year-old boy in her own weed-ridden family cemetery outside Manhattan.”

The cemetery is in my home borough of Queens, which has housed Manhattan’s dead for two centuries. The story takes place during the drug wars in the early 1990s. Tough times.

In the first two sentences of the book, Madeline Dare kind of reminds me of, well, me. “So, here’s what I love about New York City: If someone acts like a dumb asshole and you call them on acting like a dumb asshole, the bystanders are happy about it. Anywhere else I’ve ever lived they just think I’m a bitch.”

Admit it, you want to hang out with Maddie Dare, just to see what happens next. That’s how I felt, so I went along for the whole wild ride. I don’t want to give away too much but suffice it to say that there are three plotlines in this book. The primary plot is the discovery of the body of the poor innocent child and the resolution of the crime involved; secondarily we see that the coherence of Maddie and her sister Pagan intensifies the strain between the sisters and their mother; and, finally, there is the constant struggle for Maddie to help her friend Astrid, known as “Nutty Buddy,” to behave somewhat rationally.

Cornelia Read weaves back and forth effortlessly among the various threads and never loses control of the story line. I promise you will enjoy this book and want to hang out with Maddie and her family and friends again.

In the interest of full disclosure, I must tell you that I worked for the City of New York in Queens during the drug wars. I was part of a dedicated group of people, from both the public and private sectors. Our goal was to stem the tide of crack vials that seemed to be available on every corner. The same corners where ten years before, the illegal drug sold most frequently was pot. I know this to be true because I participated in raids to shut down the pot shops in the early 1980s. Lots of people think pot is no big deal. But I can tell you that felony weight pot arrests were not uncommon. And we had our share of shootouts between pot dealers, leaving the dead bodies of young people in schoolyards and on sidewalks.

I was so enmeshed in the characters of Invisible Boy and their lives that I got annoyed with Maddie when she and her friends relaxed by hitting the bong. Conversations between Maddie and a fictitious Queens Assistant District Attorney, one of her old classmates, ridiculed the “reefer madness” of the war on drugs. They were urgent in their denial that there is no relationship between weed and the harder drugs.

I assure you there is a direct financial relationship.

When Maddie and her friends purchase illegal weed, even if they buy from some Wall Street guy in a nine hundred dollar suit, or some hippie, artsy chick, where do they think the money goes? It feeds right into the local drug empire and helps fund the import or manufacture of all sorts of other illegal drugs. So, for me, Maddie could have skipped her own illegal drug use and the story would have been less irritating.

But if you weren’t trying to clean up Merrick Boulevard back in the day, Maddie’s drug use probably won’t bother you a wit, so run on out and get a copy of Invisible Boy.

Or you could come on back here on Thursday, April 1st and, no fooling, a comment on our giveaway post might get you a copy of Invisible Boy.

For (probably) more sunshiney My Town Monday posts, visit Clair the Other here.

Terrie

Saturday, March 27, 2010

Spracken Zie Cell Phone Novels?

If you're not familiar with this realm of storytelling, this Wikipedia article isn't a bad intro. It explains that it's the first literary genre spawned by text messaging, and also highlights how the visual layout, as in poetry, can reinforce the story line.

With tight limits in space and words, description is necessarily brief. Less place for world-building, that's for sure. In fact, as you'll see in the example below, the stories tend to focus on people exactly of the sort who are contemporaneously reading the novels.

In South Africa, where many more people have access to cell phones than internet, sending 250 million text messages per day, they're called m-novels (mobile novels). The Creative Commons release of m-novel Kontax is even cross-media, using real numbers with recorded voice messages within the story, so readers can dial in new content as they encounter those sections.


Sbu hits it off with a girl at a party, but she disappears, leaving him with her cellphone. Who is she? Why doesn't anyone on her contact list know her? And why is she receiving threatening messages? Tracking the girl leads Sbu and his friends into a world of action, mystery, and increasing danger...

Read the short chapters and get a feel for the form here. There's also a Kontax2 in process.

Some of these form's readers say they're learning, looking up new words as they encounter them, and reading more. Bill Thompson of the BBC was asked by his co-host whether something like this would lead anyone to real books (via m4lit):

...even if it doesn’t it’s going to encourage them to read narrative fiction, to read stories. And I think given that so much information presented these days is in chunks, e.g. on social network sites or as emails, anything that gets young people reading longer forms is a good idea.

It’s well established within the world of children’s fiction, where there’s a genre called “high low” fiction (stories written for older children with younger reading age) — that these are very successful. So I think projects like this that engage with children do stand a good chance of working.

I don't know if that's true, though I hope so, and I like any reasonable-sounding excuse for playing with stories. Still, XenMobile reports that though there are portals with millions of titles and visitors-- really!-- since the first cell phone novel hit screens in 2000, there may be a slow decline beginning, marking the end of the Japanese affection for keitai shosetsu.

I surrender. You try to keep up. I just got to the end of this post and it's already out of date!

Friday, March 26, 2010

Recycling's Good, Right?

Reusing and recycling are mindful, wholesome practices, and I already have an e-book reader, so what's the big whoop? *


*joking! I tease! Image via There I Fixed It blog

The Script Frenzy Challenge: April 1-30


From the same folks at NaNoWriMo comes the fourth annual Script Frenzy, an international writing event in which participants take on the challenge of writing 100 pages of scripted material in the month of April. This includes screenplays, stage plays, TV shows, short films, comic book and graphic novel scripts, adaptations of novels, or any other type of script.

Even if you don't participate, check out their info-packed Writer's Resource page, which is filled with lots of good advice: How-to Guides, Worksheets, and a wonderful collection of articles.

Script Frenzy is on Facebook and Twitter.

If you'd like to participate in Script Frenzy, you can use your NaNoWriMo account username and password to sign up and join the forums.

This sounds like a great opportunity if you've been putting off your dream of writing a script. How about it? Are you going to give it a shot? Keep us posted!

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Thursday, March 25, 2010

Woman of Mystery About Town, March 31st


Next Wednesday night, WoM's own Cathi Stoler, who was nice enough to lend her e-flyer, but too humble to toot her own horn, is appearing with 4 other local women authors at Greenwich Village's legendary club Kettle of Fish at 59 Christopher St.

In the literary footsteps of Jack Kerouac, they'll all be reading selections from their works with international flavor. I'll be in the crowd, with eager ears and dry throat, sampling whatever other international goodness may be on tap. I love theme nights.
Come on out, and pull up a stool with us!


April Online Writing Classes

I can't believe that just a month ago Long Island had one of its worst snowstorms in many years and today spring is here. The temperature's been going up and down, and we've had drizzling rain the past couple of days, but the trend is definitely toward warmth and sunshine. Plus my crocuses and forsythia bushes are trying to bloom!

Sitting at your computer doing homework for an online writing class may be difficult on sunny spring days, but on those inevitable rainy days, you might find one of the following offerings to be the perfect pastime.

In April, Writers Online Classes is offering two courses:

  • "Layering Your Scene One Element at a Time," Sherri Buerkle, April 1-30, $30. A fiction and nonfiction writer and former magazine editor explains how to use a technique she developed for layering dialogue, action, description, thought, and exposition into your scenes at any point during the writing process.
  • "Take Your Book from Good to Sold," Shirley Jump, April 15-May 15, $30. A bestselling author of romantic comedies points out those small elements that can make a big difference in a book's saleability but that writers often miss.
Writer University also has two courses lined up for April:
  • "Writing for Magazines," Julie Rowe, April 5-30, $30. A freelance magazine writer with a long list of credits describes the process of creating an article, from coming up with the idea to selling that idea to a magazine and writing the article.
  • Master Class: "Body Language and Emotion," Mary Buckham, April 12-23, $55. A popular instructor teaches you how to create deeper characters, greater subtext, and clearer messages using emotional body language.
The RWA's Kiss of Death Chapter is offering its normal two classes in April:
  • Murder One Class: "Does Size Matter? Yes! Big City Cop--Small Town Cop," Phyllis Middleton and Kathy Bennett, April 1-30, $15 for chapter members and $30 for nonmembers. A veteran LAPD officer and a retired FBI agent and police officer discuss the differences and similarities between big city and small town police departments and procedures.
  • Killer Instinct Class: "Let's Talk Dialogue," Stephen D. Rogers, April 1-30, $15 for chapter members and $30 for nonmembers. A Derringer winner discusses how to use dialogue to develop your characters, your storyline, and your fan base.
In April, Coffeehouse for Writers is offering nine workshops:
  • "Don't Query, Be Happy! How to Get Published and Paid with Half the Effort," Jennifer Brown Banks, April 19-20, $39. A veteran senior editor and freelance writer discusses which publishing rules to embrace and which ones to forsake, and the true function of query letters.
  • "E-Books--Breaking into Publishing," Diana Bocco, four weeks beginning April 19, $80. The author of two published e-books and three forthcoming e-books discusses how to write, publish, and market your own e-book.
  • "How to Get Paid for Penning Your Two Cents," Jennifer Brown Banks, four weeks beginning April 19, $80. Have you ever wanted to write a regular column? A veteran freelance writer gives you tips and tools to create marketable ideas, helps you identify your niche or expertise, and shows you how to develop your unique voice.
  • "Promotion 101: From Beginning to End," Ayn Hunt, four weeks beginning April 19, $80. A Gothic mystery author discusses query letters, synopses, cover letters, and online and offline promotion.
  • "Words, Sentences, Scenes and More," Victoria Grossack, four weeks beginning April 19, $80. An internationally published author and columnist teaches you how to focus on the different levels of structure that impact your fiction--the word, sentence, paragraph, scene, and chapter.
  • "Writing for Magazines," Kathryn Lay, four weeks beginning April 19, $80. A veteran freelance writer discusses the different article types, finding and developing ideas, query letters, and marketing for writers interested in starting or strengthening a magazine career.
  • "Writing the Short Story," Diana Bocco, four weeks beginning April 19, $80. A short story writer helps you discover how to bring a story to life, from developing the plot to creating believable tension. At the end of the course, you'll have a complete short story ready to be submitted, plus all the tools to sell it.
  • "Discovery Through Journaling," Yesim Cimcoz, five weeks beginning April 19, $100. A journaling and short story teacher shows how you can use your writing to heal, to discover, and to open up the doors to creative expression.
  • "The First Edit--Finding and Fixing Your Writing Errors," Sandra Kischuk, five weeks beginning April 19, $100. An award-winning writer, writing contest judge, and success coach teaches you how to self-edit, more clearly express your ideas, and dramatically improve the quality of your writing.
For a quick intro to online writing classes, click here. For additional information on the above classes and to register, click on the names of the venues and follow the links.

Photo of crocuses courtesy of C. J. Zonneveld & Zn. B. V.

Wednesday, March 24, 2010

Giving Away A Chance To Give

You all have probably heard me talk about Donors Choose here before. I'm a huge fan. Teachers put up projects they need to fund, and donors pick which projects they want to give to. If you complete a project (ie: there's $25 still necessary to get what's needed and you donate $25), you get thank you letters from the children in the class.

Today, I got a lovely package of letters. And in the package was a gift card allowing me to contribute again. I also got a gift card last week for my birthday. So here's the deal. I'm going to match those gifts. I'll give two projects my own $25 each, and give one gift card number each to the first two people who post a comment saying why they think education is important. Be sure to leave an email so I can contact you. (Then you just log in and use the gift card number to give the money, you don't have to give them any money of your own.)

C'mon...it's never been so easy to give!

PS: Remember that we're always happy to highlight our blog followers' efforts to lend a hand in any community. Let us know what you're doing!

Tuesday, March 23, 2010

Two Sentence Tuesday Plus Winners

As you may know, our regular Tuesday feature means sharing 2 sentences we've read/and or written during the week, so please do that in the comments or tell us where to link. Here are two I just read:

An orange Sainsbury's plastic bag in full sail floated along the dark pavement. Belly bowed, handles erect, it sashayed like a Victorian gentleman on a Sunday stroll, passed a garden gate, and followed the line of the low rockery wall until a sudden breeze buffeted it, lifting the fat bag off its heels, slamming it into the side of a large white van.

Those are the lines that open Denise Mina's new novel, STILL MIDNIGHT, which we introduced with a giveaway yesterday. See how I tied that in? However, clever as I am, I couldn't decide upon an appropriate new container for drawing the entry slips, so I requested help from one of my local layabouts.

I dropped the names confetti-style, an event of compelling interest, since cutting board discards similarly plummet.

Next, I watched for the signs of favoritism, awaiting the too-lengthy sniff, the stamp of the paw.

That did for most, but Grover half-mouthed one especially lucky (and soggy) winner.

After all the selections were made, he looked up at me as if to say, "I've finally figured out what these smell like!" "Bacon?" I asked, sniffing my own fingers for clues.
"No, silly bald animal. They smell like victory."

Venus de Hilo, Pattinase, Tracy H., Pat R., and Susie Kline, I know what he means!

LATE BREAKING UPDATES: Mason Canyon wants you to pick your own favorites from her blog's book review today. Next time, Mason, tease us with a couple? I'll still link the rest, I promise! Leah J. Utas has a couple more from her WIP A Fly on the Wall, and why do I know the name Velikovsky?

Monday, March 22, 2010

Giveaway: Denise Mina's STILL MIDNIGHT

Truly, we are experiencing a March Madness of giveaways this month. This Monday, the latest Alex Morrow mystery by Denise Mina hits the market, and we have 5 more copies here at WoM. While I check my M key for breakage, you can read the blurbage on the story:

Alex Morrow is not new to the police force-or to crime-but there is nothing familiar about the call she has just received. On a still night in a quiet suburb of Glasgow, Scotland, three armed men have slipped from a van into a house, demanding a man who is not, and has never been, inside the front door. In the confusion that ensues, one family member is shot and another kidnapped, the assailants demanding an impossible ransom. Is this the amateur crime gone horribly wrong that it seems, or something much more unexpected? As Alex falls further into the most challenging case of her career, Denise Mina proves why "if you don't read crime novels, Mina is your reason to change" (Rocky Mountain News).

Since I haven't read one of these yet-- shame on me!-- I can only testify that, according to many people whose taste I respect, Mina is a very fine writer, and one to watch. I'll also tell you that I've heard these are complex and realistic, but not relentlessly gritty or bloody. Maybe you'll pick a copy up here or at your favorite bookseller, and we'll all get up to speed together!

To enter our contest, simply add your comment to the random drawing from this thread. Make sure that your e-signature links to a contact e-mail or add an e-mail address within the body of your comment. If we can't contact you, we move on to another name. Since it's a March Madness random drawing, just this once, feel free to make your comment as randomly mad as you please.

We're collecting entries until midnight, natch, and we'll announce the winners tomorrow! Who doesn't love immediate gratification?!

Sunday, March 21, 2010

Women of Mystery Beat to a Pulp!

Image via Bob R.L. Evans Flickr stream.


Strictly speaking, one WoM was interviewed by David Cranmer, the fabulous editor of criminal e-zine Beat to a Pulp, but still...

Among other topics, he asked about blogging, conferences, and the legendary Great American Novel. The 7 questions and answers are here. You'll have to see for yourself whether I defamed you!

Call for Submissions: Dear Mother

To celebrate Mother's Day 2010, Jo Nelson, a writer and singer ("The Talking Soprano"), an arts educator and journalist, is looking for submissions, a tribute letter that is meant for your mom - here or departed. The letter can be poignant, appreciative, regretful, or comical.

The deadline is March 30, 2010, and should be e-mailed as a Word document. Jo is also asking for a photograph of your mother to be included; it may be projected, hung on theatre walls, or reproduced for print.

Selected pieces will be performed by actors in a salon-like theatre atmosphere sharing music, art, life, and your words. A future anthology is also possible.

"Dear Mother" Performances will be held on May 7 & 8 at 2 p.m. at the Lyric Theatre, 520 N. La Brea Avenue, Los Angeles, California (for more info on the show, click here. Tickets will be $20).

The letter (non-fiction or poetry) should be no more than 350 words.

Share your love and your story!

A hat tip to Flash Fiction Chronicles, where I noticed this call for submissions.

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Saturday, March 20, 2010

Dorte's Case File 7


Blogpal Dorte, Denmark's coolest writer and reviewer of crime fiction, if I do say so, offered a fascinating exercise in armchair deduction on her own DJ's krimiblog.

7 posts offer clues to a murder, revealed as the investigation unfolds from the first call to police. More information is also revealed as the sharp commenters requested specific clues. As so often, I didn't find this until it was well in process, but if you want to play the game yourself, here are the posts in order.

Crime Case 1

And here's the full story, the solution to the mystery as it happened. Were you right?
This is an entertaining time-waster that feels like actual research! Thanks, Dorte!

Friday, March 19, 2010

American Short Fiction Writing Contest

The folks at American Short Fiction are holding their "American Short(er) Fiction Prize" contest, for unpublished stories of 1,000 words or less. First prize receives $500 and publication, and Second prize receives $250 and publication.


The deadline is May 1, 2010. There is a fee of $15.00. However, you may submit up to three stories with each entry fee.

Winners will be announced on June 15, 2010.

For more details, click here.

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Thursday, March 18, 2010

ThrillerFest V - July 7-10, 2010 NYC

Registration for ThrillerFest V is underway. ThrillerFest is the ITW (International Thriller Writers) annual celebration of the thriller world. It is a meeting place for authors, readers, budding writers, and publishing industry professionals.

This year's ThrillerFest will be held from July 7-10 at the Grand Hyatt in NYC. The conference also includes CraftFest and AgentFest.

CraftFest is an event which is held on July 7 & 8 in which "ITW authors share their knowledge, experiences, and tips in highly-informative presentations." The CraftFest Chairperson is D.P. Lyle, MD.

AgentFest is held on July 8. It is designed to put authors and agents together for the purpose of pitching projects; it's set up like a speed-dating event. ITW has compiled a list of tips on pitching in person. A list of agents confirmed for this event can be found here.

The 2010 ThrillerMaster Ken Follett will accept his award from 2009 ThrillerMaster David Morrell.

Speaking of David Morrell, I had the pleasure of chatting with David recently at Sleuthfest in Florida. He is the co-editor of the forthcoming Thrillers: 100 Must-Reads which is due for release on July 5, 2010.

The contributed essays are from such writers as David Baldacci, Steve Berry, Sandra Brown, Lee Child, Jeffery Deaver, Tess Gerritsen, Heather Graham, John Lescroart, Gayle Linds, Katherine Neville, Michael Palmer, James Rollins, R.L. Stine, and many more.

The Spotlight guests for ThrillerFest are Harlan Coben, Gayle Linds, and Lisa Scottoline. The 2010 True Thriller Award Recipient is Mark Bowden.

Advance rates are in effect through April 30, 2010.

For information about joining ITW, click here.


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Wednesday, March 17, 2010

Happy St. Patrick's Day


For the first time in twenty years I am spending St. Patrick’s Day in Florida. For the first time ever I am spending St. Patrick’s Day with my grandchildren who live here. We will do a Grand March or two, sing Irish songs, dance a bit and bake something green. Mostly we will tell stories, which is why Leah’s post yesterday at The Goat’s Lunch Pail will come in very handy.

If, like me, you will not be standing along Fifth Avenue in New York watching the 248th Saint Patrick's Day Parade, you can catch a live stream here between 11 AM and 3 PM Eastern Standard Time.

One last word to those who make a buck off this celebration. Please look at the shamrock in the above picture. Shamrocks have three leaves, not four. If I see one more tee shirt or hat, with a four leaf clover where the shamrock should be, I shall explode.

The shamrock has a deep religious meaning in Irish Culture. St. Patrick used the shamrock to demonstrate the Three Persons in One God—the Father, Son and Holy Spirit that is a sacred tenet of the Catholic faith. So, commercialize all you want, but do it correctly—with a Shamrock.

Slainte! (Good Health)
***IF THE OTHER LIVE FEED SITE IS NOT WORKING, TRY HERE.***

Terrie

Tuesday, March 16, 2010

Two Sentence Tuesday: Non-Sentence Edition

So, between the fact that I finished a draft of my WIP and the fact that I was on vacation, I didn't actually write anything last week. I did put the WIP on my Kindle, though, and read it over the last couple of days of my break. Amazingly, it wasn't too awful. Yes, it needs some work, but it seems relatively solid.

When I am doing actual editing, I do it by hand (I posted a picture of that a while back), but I didn't bring a big old hulking MS with me, just my Kindle. So my two for this week are notes I made while I was reading:

Too abrupt. Needs time to change his mind.

Since those aren't really sentences, I'll also give you two...um...tidbits from a truly amazing work I discovered this week: Birth Control is Sinful in the Christian Marriages and also Robbing God of Priesthood Children!! Once I used the "look inside this book" function on Amazon and read several pages of this (I kid you not, I really did read several pages), I began to realize that I had been using punctuation in a far too limited and restrictive fashion. Here's a brief, oh so brief sample (and yes, it's all in caps in the book):

RESULTING IN THE PERSECUTIONS: AGAINST THE HOLY PEOPLE. THIS BOOK MAY BE REVISED: BECAUSE OF COMPUTER DICTATORS: MANY WORDS IN THIS BOOK: MADE HAVE BEEN CHANGED: TO>>DISCREDIT: THE AUTHOR.

Now, how about you? Did you read anything exciting this week? Write anything good, bad: or ridiculous>? Let us know and we'll update this post throughout the day.

Monday, March 15, 2010

Among the Mad: The Giveaway

I'm still here, haven't floated away yet, though I sure was afraid for a while that I would. The rain we've been experiencing the past couple days has been a doozy! A northeaster arrived sometime in the wee hours of Saturday, but should leave our area today. Should. I hope.

In honor of the rain, I broke out my "Saving for a Rainy Day" ceramic jar, a Mother's Day gift from my son, who promptly ate all the candy he had stuffed inside and then asked me to hide the jar. When I showed him the jar last night, a look of horror crossed his face. Taking pity, I quickly said, "Pick a slip of paper--I'm running a book giveaway," then watched in glee as his expression went from horror to confusion to relief to happiness, all within the span of about two seconds.

After my son picked a name, I asked my husband to pick one, and then I picked one. So, without further ado, the winners are:

  • Kari Wainwright
  • Leigh
  • writelane

Winners, please email me at ewsparber at womenofmystery dot net and let me know where you'd like your book sent.

Thanks to everyone who entered, and congratulations to the winners!

Sunday, March 14, 2010

More on Covers

We're thrilled like anything about Terrie's upcoming story in Crimes by Moonlight, and this morning's cover post by her reminded me of a couple of other like items.


The Jungle Red blog just interviewed David Baldeosingh Rotstein, Art Director of Minotaur Books/Palgrave Macmillan, Senior Art Director, St. Martin's Press to discuss how in the world he creates so many great covers when he works on over 150 books/year!

Orbit Books (hat tip to pal Steve Flax) posted this clip and description of the upcoming cover for Gail Corriger's fall release Blameless as it was being designed by artist Lauren Panepinto. Because this novel is an alternate history of sorts, I especially liked seeing how modern graphical elements were scraped away and story-appropriate images inserted and re-arranged. From hours and hours of effort to less than 2 minutes.


Crimes by Moonlight Cover Art


Last July, Clare announced the fact that I had a story called "The Awareness" accepted for the Mystery Writers of America anthology, edited by Charlaine Harris.

Well, a few names got bandied about for the anthology, and the powers-that-be finally settled on Crimes by Moonlight.

It is my honor to be among the authors whose stories are included: Charlaine Harris, Steve Brewer, Dana Cameron, Max Allan Collins and Mickey Spillane, Barbara D'Amato, Brendan DuBois, Terrie Farley Moran, Jack Fredrickson, Parnell Hall, Carolyn Hart, S. W. Hubbard, Toni L. P. Kelner, Lou Kemp,William Kent Kreuger, Harley Jane Kozak, Margaret Maron, Martin Meyers, Jeffrey Somers, Elaine Viets and Mike Wiecek.

The Berkley hardcover edition of Crimes by Moonlight is due for release on April 6, 2010. Bricks and mortar bookstores and online stores are accepting pre-orders now.

I’m sure I’ll be back bragging about this brilliant anthology more than once in the months to come, so stay tuned . . .

Terrie

Saturday, March 13, 2010

What Do You Know By THE END?

This is Sex Scenes at Starbucks visual guide to plotting her latest. Impressive, no?


Most writers have experienced the twist and fight of our creations even as we're trying to pin (or pen) them down onto the page. Ideas and themes develop as we go, even when using a structured approach. There are things you can't know about your own story or your own process until you've written those last two words.

Blogpal Betsy Dornbusch, known better as Sex Scenes at Starbucks, has just finished her newest book-length manuscript- kudos! Looking over it with cold-eyed bravery of her own, I must say, she posted about what she learned. Read it all.

...Sadly, I think I resisted plotting because it feels suspiciously like Real Work...Thinking via my keyboard is fun; thinking via my brain is hard...the closer writing resembles real work, with all its frustrations, boredom, irritations, and exhaustion, the better the story becomes...I found a weak link that had everything to do with my lack of brutal honestly with myself. The weakness manifested itself in my antagonist...

In one current project, I've already learned I'm starting wrong-footed, without enough clarity about the quest or the peril. These are problems I'm baking into my story forever, unless I fix them now. Perhaps I should've guessed when it was so hard to get my chapter outlines pithy, so difficult, in fact, that I began giving up on doing them. Maybe that was my way of knowing, if I'd been willing to look, that I hadn't yet made the hardest, most essential decisions. This particular novel of mine is plot-driven. Weakness there will ruin it. So, I'm doing that hateful, head-pounding planning again, trying to save myself some time and brain-damage in revision. Undoubtedly, there will be more bad news to discover at THE END. I hope to be brave enough to face it as well as Betsy.

When you've finished a manuscript, or any long-term project, were there surprising, even humbling, things you learned by the end that you couldn't have foreseen?

To Sequel Or Not To Sequel


Nathan Bransford, intrepid blogger and literary agent at Curtis Brown Ltd., recently posted on the subject of sequels. His feeling seems to be that while you may love the characters you’ve created, if you haven’t sold your first book maybe it’s time to start fresh and move onto something new rather than work on a sequel. Unless the sequel can stand on its own, in which case he believes that you should pitch it as the first book in the series and don’t mention the one that came before.

My problem with this point-of-view is that I’ve always thought of mystery novels as being part of a series--a sequence of multiple books following and spinning out from that first effort. Think about Sue Grafton working her way through the alphabet, P.D. James with her Inspector Adam Dalgliesh and all his cases, James Patterson with his multiple series, or any of today’s popular mystery writers with continuing characters. It seems to me that even from the first, these authors must have known that they were going to write more than a one-off.

As a not-yet-published author, I’m finding it difficult to decide how to proceed. I had always imagined writing a series of at least five or six books—if I sold number 2 or 3 first, then number 1 might follow later. The two novels that I’ve completed, and my agent is sending to editors positioned as the first two in a series, revolve around the same main characters but have very different story lines. In my mind I feel that a reader would enjoy them independently or as a part of a series. Now, I’m just not sure if I should continue with the third story in the series, or move onto another idea that I’ve started to develop.

So what about you? To sequel or not? Where do you weigh in?

Image from http://www.clker.com/clipart-3896.html

Friday, March 12, 2010

Advice From A Reader

Wherever writers--particularly unpublished ones--gather, you'll hear talk of things like critique groups, conferences, and workshops. (Published ones seem more concerned with deadlines, publishers' demands, and sales numbers.) Recently, Clare pointed out the huge Guardian article with advice from writers to other writers.

Frequently, I feel as if I am in an echo chamber. I agree with the people around me about writing, about the need to investigate publishers and agents, about how queries should be written, etc. I can't imagine I am contributing anything new to the conversation. (The exception is ebooks--I have a great deal to say on that subject, much of it percolating out of the stew of my own brain, stuff I haven't heard in dozens of places before.)

One of the things I recommend to people who are looking for a critique group if they write genre fiction is to try and find a group where the others write in the same genre. Why? Because people are likely to write what they read, and only by reading in your genre will they be able to tell you whether you're providing genre readers with enough of what they are looking for when they pick up your kind of book. It's not that other kinds of writers can't help you, it's just that when it comes to writing for publication, you need to know what your audience wants.

That said, there are certain things the reader of any kind of fiction hopes to find when they pick up a new book, and Laura Miller tells you about them in an article in Salon. The interesting thing about this particular article is that Miller's advice is strictly from the point of view of a reader.

Readers are what every novelist really wants, so isn't it about time that a reader offered them some advice? I've never written a novel, and don't expect to ever do so, but I've read thousands. More to the point, I've started 10 times the number of books that I've finished. Much of the time, I'm sampling brand-new novels that aren't great -- that frequently aren't even very good -- each one written by someone sincerely hoping to make his or her mark. I can tell you why I keep reading, and why I don't, why I recommend one book to my fellow readers, but not another. I've also listened to a lot of other readers explain why they gave up on a book, as well as why they liked it.

In her article, she discusses what keeps her turning pages vs. what makes her give up. She reads (from what I can tell) mostly literary fiction, but her points are important ones for genre writers as well.

After all, we all want our readers to keep reading.

Thursday, March 11, 2010

Among the Mad: Review and Giveaway

Have you ever wondered what 9/11 would have been like if it had happened in another era? Apparently so did Jacqueline Winspear, and her answer is her latest book, Among the Mad.

Among the Mad is Winspear’s fifth entry in her Maisie Dobbs historical mystery series. Set in London, this one takes place at the very end of 1931 and beginning of 1932 and is really more a combination mystery and thriller. It follows private investigator and former nurse Maisie Dobbs as she works as a special adviser to Scotland Yard’s elite Special Branch, which has been assigned to figure out who set off a bomb on Christmas Eve on a London street crowded with holiday shoppers and people rushing home from work. Maisie, unluckily, was an eye witness to the incident.

At the same time that Maisie works with the task force, she also helps her assistant, Billy Beale, through a personal crisis. Billy’s wife has sunk into a deep depression following the loss of the couple’s daughter almost a year earlier. Billy and his wife have two surviving children—young boys who love and still very much need their mother. As Maisie reconnects with former employers and co-workers from her years as a psychiatric nurse while trying to identify the bomber and prevent another incident, she also learns how to best help Billy’s wife.

The character of Maisie Dobbs is a woman I truly enjoyed reading about. In the post-World War I / pre-World War II era, women who built careers in fields such as private investigation needed to have guts. Maisie has those guts, but rather than storming around wearing men’s trousers, smoking cigars, and talking like a sailor, she remains a proper 1930s lady. Add in just the right amount of intelligence and logic, as well as a head for business, and what results is a realistic character. To me, a realistic character such as this makes a book much more enjoyable to read than does a cartoonish exaggeration.

But Winspear’s portrayal of the era in general seems to be very realistic. Not only does the author herself hail from the British Isles, but she picked her parents’ brains “about the London [they] knew and loved in the best of times and the worst of times,” according to her acknowledgments for the book. Her comfortable and almost understated portrayal of London, its surrounding area, and the inhabitants of both almost heighten the tension, already raised thanks to a ticking clock and a couple of task force members who don’t quite see eye to eye with Maisie.

Among the Mad by Jacqueline Winspear was published by Picador in December, so you can pick up a copy at your local bookstore. Better, I have three copies that I’ll be giving away here on Monday. Just leave a comment that includes your email address. And if you’d like, tell us where you were on 9/11, or when JFK was shot, or when the Beatles played the Ed Sullivan Show, Elvis split his sequined jumpsuit, or any similar event that sticks in the collective memory. And if you can’t remember where you were for any of these events, just tell us what you had for dinner last night. (That’s usually a tough one for me to remember.)

Wednesday, March 10, 2010

Jealously Yours


Tonight is officially Left Coast Crime Eve, and this year's theme is Booked in L.A. Best to everyone attending. *grumble* The sun's been out more here, so I don't have to envy that as much as the carousing and the company. It's a really fun conference, and not least because the Lefty Award is for the most humorous mystery. Per tradition, I've hung my stocking on the mantle in hopes that Lefty McSinister will fill it with California oranges and punchlines.

As they say: Death is easy, comedy is hard.

Stephen D. Rogers

Stephen D. Rogers is a prolific writer in a number of genres. If you read Horror, Private Eye, or Mystery Stories, you have probably read a story or two of his. More than five hundred of Stephen’s short stories and poems have appeared in over two hundred publications. His stories have earned two "Best of Soft SF" awards, a Derringer Award (and five additional nominations), as well as two "Notable Online Stories" from Story South's Million Writers Award. He has also received an honorable mention in "The Year's Best Fantasy and Horror," had a piece noted as a distinguished story in "The Best American Mystery Stories," and received numerous Readers' Choice awards.



I am compelled to mention that Stephen is generous with his talent and has a terrific story, “The Christmas Caper” published in the 2009 Toys For Tots Anthology, The Gift of Murder, a project near and dear to the hearts of the Women of Mystery.


We are proud to announce that Stephen’s mystery short story collection SHOT TO DEATH was released by Mainly Murder Press on Feb 15, 2010. And we are curious. How does Stephen write his award-winning prose and poetry?
I have a question to start the conversation.
“Mac lowered his voice as he topped off my coffee.” is the first line of a story from SHOT TO DEATH, called “WHERE'S THE BEEF?” I can’t picture a coffee server ever lowering his voice. Even in posh restaurants, people need to be heard. So, tell us, how does this line lead into the story you wanted to tell?



Here is Stephen’s answer: “The opening tells me a lot. Why would Mac lower his voice? Because he doesn't want to be heard. Why doesn't he want to be heard? Because he's repeating something he overheard in the restaurant, a hotbed of conversation. Who is the first-person narrator? Someone who collects information, a private investigator who assembles found bits to solve cases. The name ‘Mac’ tells me we're not in a posh restaurant as much as a diner. The coffee is ‘topped off,’ not ‘warmed,’ which tells me the story isn't going to be warm either. And so I'm off.”



Stephen D. Rogers will be checking this post from time to time today, so if you have any questions or comments, he would love to hear and respond. If you want to find out more about Stephen and his work you can click here for a link to his website.



Terrie