Wednesday, June 6, 2007

Who's Calling the Shots?

I’ve always been intrigued when authors talk about a character who ‘takes over’ as if the author is just along for a ride. I’m as eager as any writer to meet a strong character...one whose voice I can simply sit down and record on paper as she speaks. Perhaps I’m too new at this game to have met one.

Stranger Than Fiction (Will Ferrell, Emma Thompson, Dustin Hoffman...what are you waiting for!) portrays such an author-character relationship. Critics seemed baffled as to how to bill this film (comedy? drama? romance? fantasy?) which, although nominated for a Golden Globe, received mixed reviews. Frankly, I don’t see how anyone but a writer could appreciate all of its nuances. But it’s a must see for novelists. (And graphic artists, who seem as excited by it as I am.) The DVD’s worth owning just for Emma Thompson’s role.

It was mind-blowing to see the author-character relationship enacted on screen. We’ve got the character. He’s begun to hear his life narrated while he lives it. We’ve got the novelist, who is brewing and testing out possible endings for his story. Finally, we’ve got the renowned professor of literature in an earnest attempt, for the sake of the character who appeals for his help, to arrive at the author’s identity and the character’s fate by methodical means. First he determines the book’s point of view, from a recitation of a single omniscient sentence. Next, its genre, from the character’s recent experiences. Finally, his destiny, from a description of the author’s tone and voice.

“Wow,” you say. And rightly so.

This would make a great party game. (Be sure to invite a few avid readers – you’ll need to pair them up with less literate friends.) Rip two chapters from the middle of a bunch of novels and describe the narration and a couple of salient events to a partner whose job it is to guess both author and ending. You only get to read aloud one sentence.

But I digress. In Stranger than Fiction, although our character puts up a struggle in his own cause, he is ultimately subject to the mercies of his inventor. It’s meeting him that undoes her. She is clearly gratified to see him fully – and unerringly – realized. “Your hair! Your eyes! Your shoes!”

Sadly, my own characters seem quite shy. So far I’ve had to coax them out of hiding, and while over time they do reveal themselves in enchanting ways, they certainly haven’t led me by the nose. Despite having let them know I’m a team player, they seem inclined to defer to me. Judging by the corners I’ve painted us into, we might do a whole lot better were they stronger-willed.

–Lois

3 comments:

Terrie Farley Moran said...

Lois, I loved the Matador and it was so helpful, as you said it would be. Since you are now my number one movie critic, I am going to take a close look at this movie as well.

I have had characters absolutely take over and show me what is wrong with them. My favorite changed her entire personality, forced me to give her a larger role in the novel AND then insisted I change her name!! Other characters have been pushy but she was the worst.

Great info. I will get the movie. Terrie

Nan Higginson said...

Lois,

Great review, and reminder that it's a movie I missed but MUST SEE.

Regarding the characters taking over - I have to admit they tend to pop up in my sleep and mess with my head. And as I was writing one character out of the loop, he refused to go. I simply couldn't write him out because I kept hearing his wheedling to be kept in.

In the end I got even - the character who wanted in on the chase got beaten within an inch of his life by the villain's lackey.

That'll teach my characters to rewrite my work!

Write On!
Nan

Laura Kramarsky said...

I must say, my characters are mostly contrarians. Rather than telling me what they *will* do, they tell me what they "won't* do. "I know you want the scene to work that way, but it's not going to happen, so you might as well give up and try something else. I refuse to do something so dunderheaded." Stuff like that.